by Robert Merriam
I’ve been pretty busy lately. All the extra work that comes
with the move to Sixth Form and the massive (but absolutely worthwhile)
commitment to ‘Thoroughly Modern Millie’ (tickets now available) has meant I
have had less time than I am used to ‘waste’ on entertainment. As I usually
waste an hour or more procrastinating but doing nothing that I actually enjoy I
often find myself in bed having had an evening of nothing but work and dead
time. Now of course reading in bed is great and I do fair bit but I have to say
that if pushed for a choice, I would have to pick podcast as my preferred form
of pre-sleep entertainment. The lowly podcast has been on the up and up in
recent years and with good reason. In a world of clickbait, social media feeds
and pop up ads it often feels that by giving everyone a voice the internet has
made nothing but a cacophony, with billions of voices all vying for attention
at any given moment.
It is heartening then, that a medium as old fashioned as the
audio podcast still thrives. The most successful the bunch have thousands of
listeners and many in most cases there are communities attached, groups of
people bought together by shared interest in a person or thing. Perhaps the
largest in the UK is the podcast of Mark Kermode and Simon Mayo’s film review.
It airs every week of BBC radio 5 Live but it is the Podcast that draws the
most listeners. And it is not only voices from traditional media that have a
steak in the podcast scene, people who began with a microphone and an internet
connection now have loyal bases of listeners for no other reason than that
people like to hear what they have to say. At the risk of sounding like an old
man I think it’s great that people take as much as two hours every week to tune
in to those they respect or enjoy and to feel a part of something bigger than
themselves.
Having grown up in a house in which radio 4 I have certain
appreciation for radio, its power as a narrative and informative device. A
little more concrete than a book but a little freer than a film radio can
transport us in a unique way. This brings me, at last to the reason for the
article; ‘Welcome to Night vale’.
Podbay.fm has it listed as its 27th most
subscribed podcast but apart from the friend who introduced me I have never
encountered anyone who listens to it and I’d like to change that. WTNV takes
the form of a twice monthly news bulletin for the residents of the fictional
Night Vale, a backwater Southwestern American town where all manner of bizarre
things happen all the time. Hooded figures, glow clouds, black helicopters,
angels, the Sherriff’s secret police and the visiting scientist Carlos are all
described by the dulcet tones of Cecil Gershwin Parker. It is the most bizarre,
terrifying, hilarious, beautiful and utterly unique thing I have ever witnessed
and its twenty minute episodes are perfect for listening to before falling
asleep.
It is of course not for everyone, anyone after a coherent
continuous narrative will be sorely disappointed but what I love about WTNV is
that its aim is not to create a story but a world, a whole world with nothing
but one man’s voice and some well placed music. I may well be wrong, but I
think what Commonplace Books are doing (and have been doing since 2012) has
never been done before.
It certainly is not everyone but if you think you might like
it definitely give it a try, it really is worthwhile.
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