by James Burkinshaw
one of the original illustrations by John Tenniel |
Alice’s Adventures in Wonderland by Lewis Carroll was first published
150 years ago. He originally told the story to entertain seven-year-old Alice
Liddell and her two older sisters, Lorina and Edith, during a river picnic near
Oxford, after she had begged him for a story “with plenty of nonsense in it”.
Lewis Carroll’s real name was Charles Dodgson, a Mathematics don
at Christ Church, Oxford, who, in Alice, presents nonsense as
indistinguishable from logic. Puns and puzzles subvert any attempts to make
sense of the world that Alice encounters, a feeling of anxiety underlying the
sense of wonder: ‘Alice felt dreadfully puzzled. The Hatter’s remark seemed to
have no sort of meaning in it, and yet it was certainly English. “I don’t quite
understand you,” she said, as politely as she could.’ This sense of ontological
uncertainty is suggested from the very opening of the book, with Alice’s
dizzying descent into the rabbit hole: ‘Down, down, down. Would the fall never
come to an end!’
With its vertiginous holes, time-obsessed White Rabbit, random
growing and shrinking, counter-intuitive logic and dreamlike setting (in which
time and space seem arbitrary and unpredictable), it is particularly
appropriate that Alice’s 150th anniversary should coincide
with the 100th anniversary of Einstein’s formulation of the Theory
of General Relativity (see Elliot Ebert's article here). Although written in the mid-nineteenth
century, Carroll's classic children's novel seems in many ways more at home in the modernist, twentieth century
universe of Einstein, Freud and even Kafka.
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