by Sally Filho
The often
mispronounced lyrics of this simple XVth century French song belong to
Everyman’s knowledge of Gallic musical culture, together with two lines of
Piaf’s ‘Non, rien de rien’ and half a line of ‘La Marseillaise’. A group of students from The Portsmouth
Grammar School will propulse
inter-cultural exchange between GB and France to a significantly higher level
again this summer by taking an original
piece of mime/dance drama based on Hansel
and Gretel to the world-famous Avignon Festival in July: exciting, daring
and daunting it is, fun it should be, mundane it won’t be.
The Avignon
Festival is a huge affair with an estimated one million spectators and
participants involved over three weeks.
In the OFF Festival alone (the equivalent to Edinburgh’s ‘Fringe’), 1000
companies take part and 1600 plays and theatrical events are produced. The
overall budget for this exhilarating Festival bursting with ideas and buzzing
with invention is 13 million Euros. There are 3,500 performing arts
professionals who also organize meetings, lectures and debates, thus creating a
unique and splendidly creative event in European cultural life. The Festival boasts to be “The Biggest
Theatre in the World” and it probably is!
There will be over 500 journalists
present and, if they have any sense, some will wish to write about us.
So PGS will
be represented in this International yet so very French occasion, and I am
quite sure our pupils will do us proud.
The original lyrics of ‘Sur le Pont d’Avignon’ actually went ‘Sous le
pont d’Avignon, on y danse, on y danse’, for under the arches were popular drinking places where one could
indeed dance, be merry and indulge in all sorts of pleasurable and illicit
activities. Our merriment will of course
limit itself to what is right and proper; if we dance, it will be on stage or
on the old bridge, not under it, or in the shadow of the impressive Palais des
Papes.
Hansel & Gretel
The Grimm
Brothers’ tale of abandonment is a story that speaks through the ages and has
been told to millions of children for hundreds of years. It is a moral story
that teaches young minds to be wary of strangers and to take care in the
choices they make.
Company PGS
have created a physical and experimental performance utilising hand-held
projection and an original score played through up to date technology. The
small ensemble presents their contemporary dark retelling of kidnap and
betrayal through mime, dance and movement. Hansel and Gretel must learn of the
dangers of life, but can they overcome the evil that has always been waiting
for them?
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