by Robert Merriam
Ridley Scott’s new film, Exodus: Gods and Kings, is a
retelling of the story from the Old Testament; it stars Christian Bale and Joel
Edgerton as Moses and Rameses.
Recently, the film has come under fire due to the race of
its stars. For anyone who is unaware, both Christian Bale and Joel Edgerton are
white; it is also likely that Moses and Rameses were not. When Scott was asked
about his choice of casting European, American and Australian actors in heavy
makeup as ancient Egyptians and Hebrews, he responded:
“I can’t mount a film of this budget, where I have to rely on tax
rebates in Spain, and say that my lead actor is Mohammad so-and-so from such-and-such,
I’m just not going to get it financed. So the question doesn’t even come up.”
Yikes. Since then the #BoycottExodusMovie has appeared and
there has been plenty of debate. Whether or not the boycott will be a success
is yet to be seen, but it does raise a lot of questions. If Scott is telling the
truth, and he really doesn’t think he could have got funding without white
actors, then the problem must be systemic...which is a scary thought. Would
Hollywood really not fund a blockbuster with a full cast of black actors, even
with Ridley Scott as a director? And, if so, why? Are they scared the public
wouldn’t go to see the film? Is it rampant nepotism, traditionalism or simple racism?
It is possible that the casting has more to do with habit
than anything else. Biblical characters have been portrayed as white for as
long as biblical films have been made: The Ten Commandments, The Passion of The Christ and last year’s Noah all had white actors playing the lead. Perhaps
there is a fear that some western Christian audiences might be turned off by
the depiction of a prophet as non-white.
I’m not sure where I stand on the matter. Although I don’t
think the people involved in the production of Exodus are racist, I do think
it shows a problem throughout the film industry.Trailers for the new Star
Wars and Annie films were both greeted with floods of undeniably racist
comments due to their star’s ethnicity, showing that this problem also lies with
the audience.
Isn't part of the issue that the director is implying there aren't prestigious actors of another race? I'm quite confident that there are enough black actors of a high enough calibre to create this movie which would appeal to the box office.
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