by Emma Bell
Work slowed down during the mid -1950s when Bogart was diagnosed with esophageal cancer, and Lauren nursed her husband at home until his death in 1957. She married again, but not well, to the actor Jason Robards: it was clear that Bogie had been the love of her life.
Betty Joan Perske was born in the Bronx in 1924, an area as
tough as the lady she became: Lauren ‘Betty’ Bacall. Born into a family of Russian/Romanian Jewish immigrants, it
was clear in the early life of young Betty, that toughness and drive were the
only routes to success. As the only child of parents strapped for
cash she had needed to have these qualities in order to haul herself out of the
grime of New York into a dazzling career in Hollywood.
By the time she was 17, the ambitious Betty was already attending
theatre school (with Kirk Douglas as a classmate) and modelling in her spare
time.
Her movie career began when the wife of Howard Hawks (a
well-established director) saw the young Betty on the cover of Harper’s Bazaar
and, in true Hollywood fashion, had her brought out to Hollywood for a screen
test, changed her name, taught her how to speak and walk and dress: an
opportunity which led to
instant fame and fortune in her first movie, To Have and Have Not. The film contained one of the icon’s most famous phrases when she asked
Bogart: “You know how to whistle, don’t you Steve? You just put your lips together
... and blow.”
So frightened was she of working with established star
Humphrey Bogart, that she cast her chin down to stop it trembling, brought her
eyes up, and immediately created one of Hollywood’s most sultry and iconic
‘looks’. Her career rocketed along with her relationship with Bogie (whom
she married when she was just 21) “As a woman she holds all the cards,”
Bogart told journalist Donald Zec.
Together they worked on The Big Sleep, Dark Passage, Key Largo, and a television version of
The Petrified Forest. She became
associated with film noir, not least due to her ambivalent, enigmatic and
powerful charisma.
However, she was a dab hand at comedy as well, holding her
own against Marilyn Monroe and Betty Grable in How to Marry a Millionaire. Alton Cook in The New York World-Telegram & Sun wrote, "The most intelligent and predatory of
the trio, (Bacall) takes complete
control of every scene with her acid delivery of viciously witty lines.”
Work slowed down during the mid -1950s when Bogart was diagnosed with esophageal cancer, and Lauren nursed her husband at home until his death in 1957. She married again, but not well, to the actor Jason Robards: it was clear that Bogie had been the love of her life.
Little work of
note appeared in the 1960s and 70s, and her appearances tended to be in huge, star-studded films such as Appointment
with Death, which were popular but not critical successes. She did receive
an Oscar nomination for The Mirror Has
Two Faces, in which she played a typically abrasive character, but perhaps her
more interesting films were The Walker,
directed by Paul Shrader, co-starring Kristen Scott Thomas and Dogville, directed by Lars Von Trier.
Over her career, she made over 50 films, as well as starring on Broadway on over
a dozen shows.
Lauren Bacall
remains an icon of Old Hollywood, a reminder of an era in which women were groomed
to be goddesses: an irony for a woman who always maintained she disliked seeing
her face magnified on screen. Her toughness, sass and intelligence were a
formidable combination: when one added in her incendiary glamour, it was
unbeatable. Farewell, Betty Bacall: you really were a legend.
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