by Pete Rapp
Those who know me will be aware that I devote a lot of my time to my guitar playing, and, as such, a lot of my favourite music is from rock and indie “guitar bands”. Whereas 2013 was dominated by dance, dubstep and electronica (barring the return of Arctic Monkeys), I think that this year will be a great one for guitar music, so here are my picks as to who you should look out for.
A friend of
mine recently published an article on Portsmouth Point about five albums he was
excited for in early 2014 (link here). This got
me thinking about which new music I was looking forward to myself – with music
being such a broad subject, where everyone has different tastes and preferences,
I thought I would give my own thoughts on albums coming this year.
Those who know me will be aware that I devote a lot of my time to my guitar playing, and, as such, a lot of my favourite music is from rock and indie “guitar bands”. Whereas 2013 was dominated by dance, dubstep and electronica (barring the return of Arctic Monkeys), I think that this year will be a great one for guitar music, so here are my picks as to who you should look out for.
Part One – Bands Returning With New Albums:
1. Young The
Giant
Last album:
‘Young The Giant’, 2010
California indie rockers Young The Giant took a fairly
long time to gain mainstream success after the release of their self-titled
debut; catchy, energetic stadium-anthem ‘My Body’ was iTunes’ Free Single Of
The Week, and they gained a lot of buzz before their song ‘Cough Syrup’ was
performed on Glee, when they started
to gain real recognition for their work. Full of off-kilter energy, their first
album was a breath of fresh air, with insightful lyrics accompanying fun
dual-guitar melodies and frontman Sameer Gadhia’s fantastically emotive voice –
it quickly became one of my favourite albums of that year. Returning at the end
of 2013 with pumped-up rock track ‘It’s About Time’, the band seem to have
moved onto a more polished sound, with more layered tracks and added electronic
elements via the organ and keyboard. Singles ‘Crystallised’ and ‘Mind Over
Matter’ showcased this more mature style, while retaining the energy that
gained them so many fans originally. I would highly recommend their new album
‘Mind Over Matter’ – after such a long break, it’s great to see these guys
back.
My
favourite track: ‘My Body’
Best new
track: ‘Mind Over Matter’
New album: ‘Mind Over
Matter’, released 21st January
2. We Are
Scientists
Last album:
‘Barbara’, 2010
One of my favourite bands, this – I saw them live in
summer 2013, and it was one of the best gigs I’ve ever been to. We Are
Scientists, another band hailing from California, have been around for a while.
Formed in 2000, they have released 3 albums, as well as a live acoustic
mini-album. Their debut, ‘With Love And Squalor’, had an out-and-out indie band
sound and was packed with upbeat rock tracks, including hits ‘Nobody Move,
Nobody Get Hurt’ and ‘The Great Escape’, before drummer Michael Tapper left,
while frontman Keith Murray and bassist Chris Cain remained. They subsequently
unveiled ‘Brain Thrust Mastery’, which pursued a more indie-pop style while
still having plenty of energetic headbang tracks in there (check out ‘Let’s See
It’), and contained the band’s biggest hit to date in ‘After Hours’. The 2010
album ‘Barbara’ spawned songs like ‘Rules Don’t Stop’ and ‘Jack and Ginger’
which were catchy as all hell while having a more electronic twist on them,
while tracks like ‘Nice Guys’ and ‘I Don’t Bite’ recalled the indie rock of
early WAS. In summer 2013, standalone single ‘Something About You’ was
released, before the ‘Business Casual’ EP in the winter revealed tracks from
the new album such as ‘Dumb Luck’ and ‘Return The Favour’. Murray and Cain’s
new songs are, first and foremost, downright catchy, and they seem to have
successfully blended the old fuzzy indie rock of their debut album with
polished production and witty lyrics to achieve music that will stick in your
head and make you dance and/or rock out. Their new album, ‘TV En Français’ will have more of the same, and
you do not want to miss it. Check out new single ‘Make It Easy’ if you still
aren’t convinced.
My
favourite track: ‘Let’s See It’:
Best new
track: ‘Make It Easy’:
New album: ‘TV En
Français’,
released 3rd March
3. The Crookes
Last album:
‘Hold Fast’, 2012
And now, the Brits! Sheffield’s The Crookes were
formed in 2008, and have been described as ‘the most hardworking band in
Britain’. This is unsurprising when you see their discography: they’ve only
been together six years, and have two albums and an acoustic mini-album under
their belt, not to mention an insane amount of touring. A proper indie rock
band (another one, I know, but they are seriously good), these boys combine
catchy riffs with upbeat rhythms and chant-able lyrics to create danceable rock
tunes that will never fail to put a smile on your face. Signing to famous
London independent label Fierce Panda – once home to Coldplay and Death Cab for
Cutie – the self-confessed ‘NEWPOP’ band released ‘Dreams of Another Day’ in
2010. The acoustic album was lovely to listen to, with songs like ‘Backstreet
Lovers’ and ‘Yes, Yes, We Are Magicians’ proving that a song can be both relax
you and make you want to dance all at the same time. It served as a lovely
introduction to the band, with the acoustic songs feeling more personal,
showcasing guitarist Daniel Hopewell’s fantastic lyrics, and winning the band a
dedicated fanbase early on. They then released their full-length debut ‘Chasing
After Ghosts’ which was jam-packed full of danceable songs like ‘Godless Girl’,
‘Chorus of Fools’ and ‘Bloodshot Days’, alongside emotional and heartfelt
tracks like ‘The Crookes Laundry Murder (1922)’ and ‘Youth’. The band is
clearly versatile, able to write songs that will first bring a smile to your
face and then make you feel sad and reflective, while the melodies will never
leave your brain. The album served as the soundtrack to my summer of 2011, and
will provides me with a smile whenever I listen to it! ‘Hold Fast’ came out in
2012, and showed an older, wiser Crookes: with retro lo-fi production giving
the album a nice romantic air, songs like ‘Afterglow’ and ‘Maybe in the Dark’
gave us stupidly energetic and fun tracks that will make you jump up and get
down. The album sounded more mature and aggressive, and the boys showed they
had a fierce desire to make a mark on the music industry, while there was still
the honest, heartfelt band of old in there on raw closing track ‘The I Love You
Bridge’. After releasing standalone single ‘Bear’s Blood/Dance In Colour’ in
summer last year, the band announced their new album ‘Soapbox’ along with
single ‘Play Dumb’. Both singles continued the lo-fi production of ‘Hold Fast’
while ushering in a heavier sound which retained the catchiness of the band’s
early work – just the title ‘Soapbox’ makes it clear that this band has
something to say to the world. They are standing on their soapbox and shouting
at you to like them, and I say you should.
Favourite
track: ‘Afterglow’:
Best new
track: ‘Play Dumb’:
4. Little
Comets
Last album:
‘Life Is Elsewhere’, 2012
Little Comets are band who seem to have found
themselves as they’ve got older: after releasing their debut album ‘In Search
Of Elusive Little Comets’ on Columbia Records in 2011, they changed their sound
in a big way when they released their second record on Dirty Hit. The Tyne and
Wear band achieved mild mainstream success with singles ‘One Night in October’
and ‘Joanna’, before album tracks ‘Isles’ and ‘Adultery’ too became hits. Their
debut was full of jerky rhythms and jagging, sharp, catchy guitar riffs, while
frontman Rob Coles yelped out lyrics that were inspired by British life, often
touching upon subjects such as politics (see ‘Darling Alistair’) and romance
(‘Lost Time’). Their catchy, different indie sound caught the attention of the
public, and the band performed impromptu early gigs in places like libraries
and supermarkets to the delight of fans. Since then, their drummer has left and
they were dropped from Columbia, so signed to Dirty Hit to release ‘Life Is
Elsewhere’ in 2012. Their sophomore effort showcased a much more mature and
clever songwriting style from the band, with unconventional song structures and
odd rhythms making for an incredibly catchy and impressive new sound; I still
haven’t heard anything else quite like it. Singles such as ‘Jennifer’ and
‘Worry’ were upbeat danceable numbers with intellectual lyrics regarding women
and romance, while slower, more emotive songs like ‘In Blue Music We Trust’ and
‘Woman, Woman’ proving seriously touching to listen to. Standout track
‘Violence Out Tonight’ has rape and domestic violence as its lyrical subject
matter, and delivers a scathing assessment of how often it goes unpunished.
Every track on the album was still catchy danceable, however, which showed the
band had not lost touch with their original sound – Coles’ voice is far less
yelping on the second record, showing he has worked on his previously slightly
sharp (even grating at times) vocals. They have promised three EPs and a new
album over the next twelve months, starting with new release the ‘The Gentle
EP’. The first song from the EP, ‘Little Italy’ continues the unpredictable and
intellectual-while-still-damn-catchy trend of their music at present, and makes
me very excited for what’s to come.
Favourite
track: ‘Worry’:
Best new
track: ‘Little Italy’:
New album: Out
sometime in 2014, no other information as of yet
5. The
Hoosiers
Last album:
‘The Illusion of Safety’, 2010
Now, there were a lot of bands I wanted to write about
for this section, but I decided to throw a curveball in the form of one of very
first ‘proper’ favourite bands. You may remember The Hoosiers after they
released their debut album ‘The Trick to Life’ way back in 2007, which reached
number one. The alternative pop/rock outfit dominated the radio waves with hit
singles ‘Worried About Ray’ and ‘Goodbye Mr A’, and the album reached number
one. ‘The Trick to Life’ was an interesting blend of more upbeat, rockier
tracks like ‘Worst Case Scenario’, the aforementioned ‘Worried About Ray’, and
‘Cops and Robbers’ alongside more alternative, falsetto-driven tracks like ‘Run
Rabbit Run’ and ‘A Sadness Runs Through Him’. However, the album is always
rooted in lead singer Irwin Sparkes’ guitar playing – every song on the album
seems chart-ready, filled with infectious hooks and unconventional pop songs,
sometimes with a darker atmosphere hidden beneath head-bop melodies. In 2010,
the UK band released their follow-up effort ‘The Illusion of Safety’, which
came with a different, more electro-pop and synth-driven sound. The high point
of this album comes on single ‘Choices’, which includes one of the best synth
hooks I’ve heard, and was a departure from their previously natural
instrument-filled sound. The whole album is again catchy and infectious though,
with songs like ‘Unlikely Hero’ and ‘Bumpy Ride’ bringing a smile to my face
upon hearing them. Since then, the band fell into obscurity, setting out with
side projects such as Sparkes’ band The Sea & I. However, in late 2013 they
released new single ‘Somewhere in the Distance’, which is something of a return
to their original pop-rock sound, and seems a perfect comeback tune with its
optimistic and bullish vibe. It has a rockier edge to it, with even a tinge of
funk coming from the bouncy bassline, with a few synths in the background
acting as a throwback to their last album. The Hoosiers have crowd-funded their
third album ‘The News From Nowhere’, and seem to be coming back far stronger
than they ever were before.
Favourite
track: ‘The Trick To Life’:
Best new
track: ‘Somewhere in the Distance’:
New album: ‘The News
From Nowhere’, released 3rd March
Notable others: Elbow, Maxïmo Park, Foster the People, Bombay Bicycle Club
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