Second in a series of articles (originally published in the ‘Fight Club’ issue of
Portsmouth Point magazine) exploring favourite music albums. Today, Fraser McKenzie explains why In Flames' 'Sounds of a Playground Fading' is his favourite album.
There is a reason why these Swedish pioneers of
melodic death metal have continued to captivate, delight and infuriate for
nearly two decades while entire battalions of copycat bands have come and gone
with little impact: Their constantly evolving vision is one of progression. Therefore,
it is no wonder that the metal world routinely awaits their impending new
releases with a shivery mix of giddy anticipation and nervous apprehension.
Whether it
was the grungy, melodic riffs of The
Jester Race or the electronics-laden ear-candy of Your Escape, In Flames have always managed to deliver quality music
and it is safe to say that nothing much has changed for album number ten for
the Gothenburg quintet, Sounds of a Playground
Fading.
The more
hardcore amongst the metal-head population will be glad to hear that the band
continue to maintain their thrash-metal-esque reputation but that’s not to say
that you have to be a seasoned head-banger to enjoy this album. As they always
have, the band experiment with electronic synth to deepen the texture of their
pieces and the resultant melodic conglomerate gives the perfect combination of
old and new. Classic tracks such as Ropes
explore these traits to the fullest extent and the result left me wanting to
keep listening, but feeling anxious about what’s to follow.
The opening
track Sounds of a Playground Fading
contains everything that a current fan would expect from the band. The
unmatched combination of deep, powerful drum-lines with melodic yet somewhat
crunchy guitar riffs ensures that the band has stayed true to its death-metal
roots, whilst pioneering the genre further still. The mellow vocals of front-man,
Anders Fridén, provide the perfect accompaniment to this epic Scandinavian
ensemble.
As well as being
one of the most critically acclaimed melodic death metal albums of the last
decade, Sounds of a Playground Fading
also boasts a vast range of styles amongst its tracks ranging from the
fast-paced and thrashy Enter Tragedy
to the melancholy power ballad Liberation.
It’s clear that this compilation of Nordic musical mastery has something that
appeals to all musical tastes, including those new to the band.
But that’s
not to say that In Flames have forsaken their humble origins. Track number
three All For Me instantly reminds
you of the old In Flames days. This nostalgic melody ought to make the
long-time fans of the group feel like their witnessing a return to the
underground sound of the bands middle albums. From the first riff, all the way
up to the first verse, you’d easily be fooled that the old In Flames were back.
Upon hearing the first verse the new, modern In Flames musical style
hits you like a tonne of bricks and you are immediately immersed in the bands
new style and image, which even the most hardened of metal-heads would approve
of. It is clear that Sounds of a
Playground Fading is a retrospective album that provides the ideal mixture
of the “good old In Flames” whilst still demonstrating that the ambitious
Swedes continue to lead their genre into the future.
Completely agree a brilliant band from a brilliant genre
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