by Henry Percival
In late September, early October, Pink
Floyd’s The Dark Side of the Moon was voted the greatest rock album of
all time. And personally I can’t help but agree. This vote was conducted by
readers of the magazine Classic Rock and the final results saw the Floyd
finish above incredible bands such as Led Zeppelin and Guns n Roses.
First released in March 1973, The
Dark Side of the Moon is Pink Floyd most well known album. But what makes
this album so incredible? It arguably has (one of) the most recognizable album
covers. The cover, designed by Storm Thorgerson,
depicts white light passing through a prism to form the bright colors of the
spectrum against a stunning black field, invited listeners to explore the music
inside — and still does today. The mystery began after you heard the
mind-blowing music on the album coupled with bassist Roger Waters deeply
personal lyrics exploring themes of alienation, loss, and materialism. In
context of intense songs like “Time” and “Us and Them,” what did the album
cover mean, exactly? The mystery deepened when you studied the poster
and stickers of pyramid shapes found inside the album sleeve. None of the band
members offered an explanation, leaving it up to fans to add their own
meanings, a process that required repeated album listens and discussion with
other fans. It’s no wonder that the album turned Pink Floyd into major stars,
sold 50 million copies and remained on the Billboard charts 741 weeks.
Then there is the music on the album
itself. The whole album is a continuation, with one song leading into the next.
For this reason, you can’t really listen to it on shuffle mode on whatever
device you listen to (you can but it wouldn’t make as much sense or sound half
as good). The single Money has one of the most recognizable and best
bass lines of all time. It is up there with bass lines from The Chain by
Fleetwood Mac or even Billie Jean by Michael Jackson. The 7/4 time frame
of Money is peculiar as well, and it may be the only single with this
timeframe to have graced the top 20. On top of this, the instrumental
throughout the whole album is just amazing. Songs like Great Gig in the Sky may
have no proper lyrics to them (you hear Clare Torry just singing notes) but
that doesn’t take away from the instrumentals you hear.
The final reason why I love this album
is due to the final two songs. Brain Damage and Eclipse are for
me the centre piece of this album. Roger Waters
has stated that the insanity-themed lyrics are based on former Floyd frontman Syd Barrett's mental instability, with the line
"I'll see you on the dark side of the moon" indicating that he felt
related to him in terms of mental idiosyncrasies. The line "And if the band you're in
starts playing different tunes..." references Barrett's behaviour near the
end of his tenure with the band; because of his mental problems, there were
more than a few occasions where Barrett would play a different song than the
rest of the band in the middle of a concert. The song has a rather famous
opening line, "The lunatic is on the grass...", whereby Waters is
referring to areas of turf which display signs saying "Please keep off the
grass" with the exaggerated implication that disobeying such signs might
indicate insanity. Like many other songs in the album, Brain Damage flows
directly into Eclipse. As the climax of the album, Eclipse highlights
simply that the summation of everything you are, as much as it matters to you,
as hard as it is to get it all “in tune”, eventually it’s “eclipsed by the
moon” – i.e. not really important at all.
I won’t lie, the album
is of a particular taste but I would definitely encourage readers to go and
listen to it.
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